Emotional Participation

At first glance, Emmilou Rößling’s “The Fraternity”, performed during OPEN SPACES – How to get in Touch with… from 22 to 24 October 2020 at Tanzfabrik Berlin, seems like research on the topic of female togetherness. Beyond that, there is an emphasis on something more subtle, something which merges that which is felt with felt cloth. 

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Apes and Humans

On the opening night of the first part of Tanznacht Berlin Vertigo (9-13 September, the second part will hopefully take place in July 2021), Antonia Baehr and Latifa Laâbissi land in Studio 5 at Uferstudios where they merge with the chimpanzees Consul and Meshie. 

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Waves Swarm

This year, in lieu of its scheduled stage program, Tanz im August is offering an online selection of talks, films, and sound works, a digital conference, and two works in public spaces. Media and performance art collective LIGNA gives the participants in “Zerstreuung überall! Ein internationales Radioballett (Dissemination Everywhere! An international radio ballet)” an opportunity to practice a dispersed collective with the help of acoustic prompts, while still keeping to themselves.

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An Oscillator Exchange

Performer, photographer, model, author and speaker Roland Walter was born with a lack of oxygen, causing spastic paralysis. In 2018 he proposed to choreographer Renae Shadler to develop a work together, which led to a research on the creation of a shared movement language. The duet “SKIN” premiered last Saturday 1 August 2020 at Uferstudios. 

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Nah Dran – interconnecting the studio and the screen

NAH DRAN — ‘close by’, ‘proximate’, ‘intimate’. Attending this research series, existing through the continuous investment of ada Studio in young, Berlin-based choreographers, usually means gathering in the small studio number 7 at Uferstudios. As an audience member, you are almost close enough to touch the performers. This time, however, it’s different.  There is no physical proximity, there is only the online medium. 

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Grey in Blue

Choreographer Milla Koistinen, lighting designer Ladislav Zajac, and composer Paul Valikoski create a subtle and powerful response to the paintings of Canadian abstractionist Agnes Martin in “On a Clear Day” at Berlin’s Uferstudios.

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