The Draw of Elsewhere or A Space of Contrasts

The Fold performance series (Tanzfabrik) presents ElseWhere Rhapsody from 29 February to 3 March 2024 at Uferstudios. Performance maker Jen Rosenblit takes the audience on an eclectic exploratory journey of queer desire. A collage somewhere between tender intimacy and sensory overload spectacle emerges through poetry, song, eroticism, line dancing, and utopia.
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This too was at Sinai

What happens when a monk, a priest and a rabbi walk into a bar? Scratch that…you probably know that one already.

Okay, what happens when a Jewish performer walks up to their grandmother’s cupboard of antiques?

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Where do you think this was going? Is there space for this joke in a dance review today? In Germany? And who can make such a joke?

There is, in fact, no joke to make. But I take this chance to tread the nuance that art allows to reclaim what may be said. Performer David Bloom does it too, with “nigunim”. Premiered on 23 March 2023 at Uferstudios, the solo was part of Tanzfabrik’s ‘Narratives and Transgressions’ curatorial fold.

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Longing for Mountains: Interspecies Performance Experiments

Barbara Berti’s “Zone of Acceptance” premiered at Uferstudios from 25 – 28 August 2022. Dance collective Mapped to the Closest Address first showed “Turn off the house lights” at Cordillera Raum für Körper und Utopien on 4 March and 21 May, and a new version from 18 August – 11 September in Japan as part of the Echigo-Tsumari Art Triennale in conjunction with their installation, “We like to watch clumsy-seeming mountains.” Both projects have evolved, and continue to evolve, out of collaboration and experimentation undertaken by humans with nonhumans: dogs, cats, plants, and landscapes.

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This Gleich and that Gleich are not the same

People of all genders are equal. Everyone is equal. EQUAL! EEEEEKWALLLL! Isn’t it clear by now? “EQUALITY!”, a duet by Compagnie Lindh & Weingartner is made for young audiences and brings to the stage the age-old discussion on equal-ness among genders. Presented at the opening of PURPLE – 6. Internationales Tanzfestival für junges Publikum at Uferstudios on 31 May 2022, the performance insists on its point in no less than all-caps followed by a firm fist of an exclamation mark.

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Embodying Classism Through Dance, Identities, and Biography

“Working Class Dance Group” by Josephine Findeisen was created with, and performed by Agnes Bakucz Canário, Stephanie Benze, and Findeisen herself, on 13 November 2021 at Uferstudios Berlin. The piece explores the extent to which class inequality affects those who come from working class or economically disadvantaged backgrounds through an investigation within the frame of the dancing body. Informed by the works of activist groups, such as the Prololesben and the Arbeiter*innentöchter, “Working Class Dance Group” establishes an ongoing relationship between biography and society.

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Body Undone

In “Assembly Instructions” (shown at Uferstudios 3 – 6 November 2021 within the framework of Tanzfabrik Berlin’s autumn season) Nir Vidan daringly disassembles his body into fragments, pieces, contours, and shadows. This black-and-white solo work is graphic, stark, and brilliantly paced. Thanks to his clinically precise performance and thoughtful dramaturgy, Vidan paints compelling and evocative images and avoids simplistic narratives. I quickly succumbed to the magic of his work and lost myself in this intense and meticulous experience. 

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Stories of Bonds and Separations

“Forces of Nature” by Ivana Müller, shown at Uferstudios on 12 and 13 October 2021 in the frame of Tanzfabrik Berlin’s autumn season, is an hour-long exploration of the notion of interdependence and collective effort. Unlike many other works that question the concept of group dynamics, “Forces of Nature” is literal and straight forward and allows for as many interpretations as the spectators’ imagination can produce. Bound by climbing ropes and a common goal, the dancers negotiate each gesture and movement as they slowly weave an odd rope-made shelter just to unlace it again at the end. In this smart and deftly staged show, Müller reflects on common effort, ecologies of togetherness and, quite unexpectedly, makes me reflect on my own stories of bonds and separations.

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Symbols of Power

Flags ripple, flap, and cut the air. Shrouds wrap motionless bodies. Exotic creatures slip from mediaeval banners. Military snare drums roar. Fierce battles morph into revelry, and sports events transform into funeral processions. Ginevra Panzetti and Enrico Ticconi have always turned to historical events, art movements, and traditions for inspiration. In their new diptych, “AeReA” and “ARA! ARA!”, they explore the symbolism of flags and mediaeval heraldry, as well as their political connotations. The first part of the diptych, “AeReA”, will be shown during Tanznacht Berlin Vertigo (Part 2) on 23 and 24 July 2021, while a digital version of “ARA! ARA!” premiered during Tanzfabrik Berlin’s OPEN SPACES – Making It Happen #2 on 10 June 2021. “Silver Veiled” is a dance film born from the same research process. It was originally commissioned by Dublin Dance Festival in 2021.

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Performing Memory

How can an archive be performed? How can a research process be shown on stage without the result being dull and didactic? How can a dance be devised about a show that premiered more than 40 years ago? In “Try Leather”, Britta Wirthmüller, William Locke Wheeler, and Justine A. Chambers explore the political and performative aspects of an eponymous 1975 solo by Canadian artist and activist Margaret Dragu. Choosing a dozen different archive records and key words each night, Wirthmüller and Wheeler offer their personal take on Dragu’s work and life in a show that combines dance, spoken word, and audio fragments.

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Emotional Participation

At first glance, Emmilou Rößling’s “The Fraternity”, performed during OPEN SPACES – How to get in Touch with… from 22 to 24 October 2020 at Tanzfabrik Berlin, seems like research on the topic of female togetherness. Beyond that, there is an emphasis on something more subtle, something which merges that which is felt with felt cloth. 

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Apes and Humans

On the opening night of the first part of Tanznacht Berlin Vertigo (9-13 September, the second part will hopefully take place in July 2021), Antonia Baehr and Latifa Laâbissi land in Studio 5 at Uferstudios where they merge with the chimpanzees Consul and Meshie. 

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Waves Swarm

This year, in lieu of its scheduled stage program, Tanz im August is offering an online selection of talks, films, and sound works, a digital conference, and two works in public spaces. Media and performance art collective LIGNA gives the participants in “Zerstreuung überall! Ein internationales Radioballett (Dissemination Everywhere! An international radio ballet)” an opportunity to practice a dispersed collective with the help of acoustic prompts, while still keeping to themselves.

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An Oscillator Exchange

TANZPLATTFORM 2022 >>> Performer, photographer, model, author and speaker Roland Walter was born with a lack of oxygen, causing spastic paralysis. In 2018 he proposed to choreographer Renae Shadler to develop a work together, which led to a research on the creation of a shared movement language. The duet “SKIN” premiered last Saturday 1 August 2020 at Uferstudios. 

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Nah Dran – interconnecting the studio and the screen

NAH DRAN — ‘close by’, ‘proximate’, ‘intimate’. Attending this research series, existing through the continuous investment of ada Studio in young, Berlin-based choreographers, usually means gathering in the small studio number 7 at Uferstudios. As an audience member, you are almost close enough to touch the performers. This time, however, it’s different.  There is no physical proximity, there is only the online medium. 

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Grey in Blue

Choreographer Milla Koistinen, lighting designer Ladislav Zajac, and composer Paul Valikoski create a subtle and powerful response to the paintings of Canadian abstractionist Agnes Martin in “On a Clear Day” at Berlin’s Uferstudios.

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