Inky Lee creates an immersive sound monologue that addresses dance.
Continue reading “Monologue to Dance”Right Now
Collage of Loneness
The Corona pandemic provided some people more time to be alone. Sometimes, this may mean sitting with oneself without external distractions. Inky Lee, who lives alone, is one of these people. One night, she quietly sits in this state and observes the movements of her insides.
Continue reading “Collage of Loneness”Crumb Drawers
When the possibility of meeting and touching people has been restricted due to the Corona pandemic, Inky Lee reflects on physical intimacy.
Continue reading “Crumb Drawers”Moving Puzzle
When movement has been restricted due to the Corona pandemic, Inky Lee travels in her room.
Continue reading “Moving Puzzle”The Parallel World in Me …
Written by Akiles.*
Finding your space in Berlin is not a simple task. However, with the support of the relevant institutions, many obstacles disappear. It was the same for me, only I had other hurdles to overcome first: political issues, bureaucracy, and a disease.
Continue reading “The Parallel World in Me …”Be More Chinese
Inky Lee writes about “Exotic Animal”, a performance created and performed by Ming Poon, and co-produced by English Theatre Berlin. The performance took place online, via Zoom, on 3 – 5 December 2020.
Continue reading “Be More Chinese”Commanding the Relentless Gaze
Goitseone Montsho* reckons with, and contemplates how, Black femmes use fashion to return, pacify, and engage the white, male, and cis gaze in Berlin’s performance scene.
Continue reading “Commanding the Relentless Gaze”Veiled Motions
Rhea Ramjohn* reflects on the metaphorical and physical masks that shape our day-to-day movements and interactions. The “performance” of creating space for one another during the Covid-19 pandemic has brought physical distancing to the forefront, and has exposed what many marginalised people have long-known as the pandemic of being othered.
Continue reading “Veiled Motions”Squirming Like Disco Stars
Inky and Imari imagine themselves as worms, and plot their way to continue squirming in creative arcs after being stepped on.
Continue reading “Squirming Like Disco Stars”You Are Not Invited
Berlinklusion’s Kate Brehme* reflects on “You Are Not Invited”, a protest action created by the organisation in 2019 at the Haus der Statistik. This ‘un-exhibition’ — an exhibition that no-one was invited to, was Berlinklusion’s exploration of the relationship between gentrification, the temporary use of non-arts spaces for cultural purposes, and the neo-liberal structures that perpetuate inaccessible working conditions for arts workers in Berlin.
Continue reading “You Are Not Invited”Sajan Mani – Tyger von otherspur
Review written by Nine Yamamoto-Masson.*
Continue reading “Sajan Mani – Tyger von otherspur”This performance was part of the festival Radical Mutation: On the Ruins of Rising Suns, curated by Nathalie Anguezomo Mba Bikoro, Saskia Köbschall, Tmnit Zere, in collaboration with Wearebornfree! Empowerment Radio, 23.9.–4.10.2020, HAU1+2+4.
Do Not Write
Inky Lee thinks about her personal relationship to dance and writing after attending an event in Berlin about dance and writing. After ardent attempts, she fails to articulate.
Continue reading “Do Not Write”We Have to Learn to Repair the Denial: Inverted Landscapes, Action in the Streets and Stolen Lives.
On September 11, 2020, Pêdra Costa* went to see “Inverted Landscapes”, a performance directed by André e. Teodósio (Teatro Praga) from Lisbon, which began inside with an exhibition by Teodósio and Bruno Bogarim, and was then taken out onto the streets. It was presented at the gallery Kunstraum Botschaft – Camões Berlim, by the performers Ana Tang, Aurora Pinho and Paulo Pascoal.
Continue reading “We Have to Learn to Repair the Denial: Inverted Landscapes, Action in the Streets and Stolen Lives.”Twinkle, a Hormonal Dance
Inky Lee contemplates hormones, desire, and love in the context of attending Twinkle, a sound and movement gathering, and observing her cat’s hormonal explosion.
Continue reading “Twinkle, a Hormonal Dance”My Survival Tactic: Fantasising
Inky Lee writes about her personal experience around rehearsing and performing in an unnamed work. The piece premiered in Berlin and consisted of three parts performed in three different locations.
Continue reading “My Survival Tactic: Fantasising”