The Expansion of Joy — An Interview with Anna Nowicka

‘Dear Anna, I hope you are well! […] Due to this second lockdown, we cannot review any performances in the theatres anymore. As an alternative, I would like to interview you on the topic of ‘bodily joy’. It comes from my realisation that, due to the distance, the lack of spontaneity, and the absence of live get-togethers, I find it hard to experience joy in my body myself. And it’s a loss. Therefore it would be great to talk to you about how to keep finding joy in the body in these awkward times. […]. Best, Annette’

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Together Together

“isson – a solo for two men” by cie. toula limnaios has a transformative history. Already in 2003, the performance, then called “isson – a solo for two women”, had its premiere. For its 20th anniversary in 2016, it was restaged with two men, and then remained in the repertoire. Leonardo d’Aquino and Alessio Scandale were supposed to dance it live again this November, but due to the current lockdown, it was presented online instead, broadcast from the Halle Tanzbühne Berlin, and remains available for viewing until 28 November. 

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New Growth

Ballhaus Naunynstraße is one of the few (the only?) theatres in Germany that is committed to showing and supporting the perspectives of BIPOC and of those who identify as queer. It offers a strong impulse to development of postcolonial discourse and practices. Here, performance artist Nasheeka Nedsreal presents her first solo performance “New Growth”. 

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Apes and Humans

On the opening night of the first part of Tanznacht Berlin Vertigo (9-13 September, the second part will hopefully take place in July 2021), Antonia Baehr and Latifa Laâbissi land in Studio 5 at Uferstudios where they merge with the chimpanzees Consul and Meshie. 

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Walking as an Act

It’s the fourth of September and five old men are playing a game of boules, while a soft sun peeks through the tall trees. I’m sitting in front of FELD Theatre for Young Audiences in Schöneberg, an area that is unfamiliar to me, and I allow myself to soak up the holiday atmosphere in anticipation of the premiere of Jo Parkes’s “The Walking Project”. 

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In-Between Past and Future at Potsdamer Tanztage

The thirtieth anniversary edition of Potsdamer Tanztage was supposed to have taken place in May 2020, and has been postponed to 2021. Under the motto ‘We Need Art!’, however, a smaller corona-proof festival was created between the 5 and the 16 August. I visited three performances — from Jonathan Burrows, Matteo Fargion, and Michiel Vandevelde — in which past and future intertwine. 

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An Oscillator Exchange

Performer, photographer, model, author and speaker Roland Walter was born with a lack of oxygen, causing spastic paralysis. In 2018 he proposed to choreographer Renae Shadler to develop a work together, which led to a research on the creation of a shared movement language. The duet “SKIN” premiered last Saturday 1 August 2020 at Uferstudios. 

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Nah Dran – interconnecting the studio and the screen

NAH DRAN — ‘close by’, ‘proximate’, ‘intimate’. Attending this research series, existing through the continuous investment of ada Studio in young, Berlin-based choreographers, usually means gathering in the small studio number 7 at Uferstudios. As an audience member, you are almost close enough to touch the performers. This time, however, it’s different.  There is no physical proximity, there is only the online medium. 

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You OK, Bitch?

The Battlefield Nurse has existed for over 5,000 years. She is a hooker, healer, sister, lover, mother, and a midwife of the dying. Together with an army of other battlefield nurses, she cares critically, by addressing the structures that make us sick. In the online performance “You OK Bitch?” choreographer Jeremy Wade’s alter ego aims to unpack the Covid-complicated now. 

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HOW ARE YOU?

“Von hier nach dort” didn’t premiere on April 23 in fabrik Potsdam as planned. When the news came in that the show was going to be cancelled, André Lewski, Lee Méir, Robert Konderosi, Lidy Mouw, and Lea Kieffer were already in the last phase of preparing this participatory project for kids on the topic of farewell and death. I had planned to see and review the work. Instead, I’m having a Jitsi conversation with Lee, André, and Lea.

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