Continue reading “Emotional Participation”
At first glance, Emmilou Rößling’s “The Fraternity”, performed during OPEN SPACES – How to get in Touch with… from 22 to 24 October 2020 at Tanzfabrik Berlin, seems like research on the topic of female togetherness. Beyond that, there is an emphasis on something more subtle, something which merges that which is felt with felt cloth.
Continue reading “Far, and yet so close: The Exhibit “Down to (planet) Earth” at Gropius Bau”
Under the title “Down to Earth: Climate, Art, Discourse Unplugged”, this exhibit at Gropius Bau from 13 August to 13 September 2020 focuses on ecology and sustainability. It is part of the Immersion program series, which aims to experiment with new formats of looking and presenting and to dissolve the dichotomy between the viewing subject and the object being viewed. This time around, indiginous cultures and new practices in sustainability and the holistic experience can be seen alongside experimental forms of contemporary art.
Continue reading “Minimal Movements: Isabelle Schad’s “FUR””
Sometimes you come across pieces that simply leave you speechless. Not because they passed us by and failed to move us. But because they touched us deeply. Regardless, I want to attempt to give an account of Isabelle Schad’s “FUR”. The showings with Aya Toraiwa were on 31 July and 1 August 2020 at the Wiesenburg-Halle.
Continue reading “Back to the Classics”
Event cancellations due to Covid-19 measures didn’t just affect the dance scene. How did major theaters respond during the pandemic? A brief glimpse at the Staatsballett Berlin to mark Polina Semionova’s appearance in the concert performance of Camille Saint-Saëns’ “The Carnival of the Animals” at the Staatsoper Unter den Linden.
Continue reading “City Expansion — (Out)Stretching the Senses to Our Urban Surroundings”
After days of being homebound, practice lab EINS from Sabine Zahn’s project “Stadterweitern (City Expansion)” gave me a chance to rediscover my senses (and with them a piece of Berlin). During the first of four five-day labs to take place in different central locations in Berlin from May to November 2020, I had the opportunity to experience Ernst-Reuter-Platz close up. Lab EINS also included a performance lecture and a discussion.
Continue reading “Another Kind of Kinesthetic Empathy Is Transmitted on Screen”
In the times of corona, when live dance events are (still) not possible, the digital format remains. You can love it or leave it, and not everything is suitable for filming. However, there are dance films, films explicitly choreographed for the camera and the screen: available for viewing until 6 May in POOL 20 – Spring Edition of the Internationales TanzFilmFestival Berlin at DOCK 11 online.
Continue reading “On Hospitality, Collaborations and Dining Culture: Questions for Sally De Kunst about the Book “This Book is Yours””
On 21 March 2020, Sally De Kunst was scheduled to present the book “This Book is Yours – Recipes for Artistic Collaboration” at the Berlin office of Vexer Publishing House with a cooking workshop. Like many things in Berlin and worldwide, this event – a collaboration with Tanzbüro Berlin – could not take place. So I invited Sally De Kunst to respond over Skype to a few questions about this unusual recipe book on cooking and artistic collaborations. I found it particularly relevant at this current point in time as we’re spending a lot of time at home – probably also cooking – and gaining a greater awareness during this period of isolation for how very much our way of life depends on collaborations.