Continue reading “Unruly Love”
LAS (Light Art Space) is presenting This is Not a Love Show, a series of dance performances at Kraftwerk Berlin by choreographers Sharon Eyal & Gai Behar. The six performances run between December 2021 and January 2022 and include the Berlin-premiere of “Soul Chain” and “Promise” performed by tanzmainz, “Half Life” performed by the Staatsballet Berlin (2018), and L-E-V Dance Company will present the trilogy “LOV3” from its repertoire in their first Berlin appearance. “Soul Chain”, created for and performed by tanzmainz dance company, opened the series last weekend featuring a choreography explicitly engaged with techno and a corporeal understanding of multidirectional bodies.
Continue reading “Weaving Wonder”
In the performance “Silkworms” (Radialsystem, seen on 3 December 2021) choreographers and dancers Renae Shadler and Mirjam Sögner interweave choreography with poignant visuals in order to highlight the skin as a sensual vessel. Through persistent attention to tactile feedback, they generate a choreographic structure that is able to channel the creation and dismantling of imaginative landscapes and which is marked by the outcomes of a process of sensorial research and movement production.
Continue reading “Embodying Classism Through Dance, Identities, and Biography”
“Working Class Dance Group” by Josephine Findeisen was created with, and performed by Agnes Bakucz Canário, Stephanie Benze, and Findeisen herself, on 13 November 2021 at Uferstudios Berlin. The piece explores the extent to which class inequality affects those who come from working class or economically disadvantaged backgrounds through an investigation within the frame of the dancing body. Informed by the works of activist groups, such as the Prololesben and the Arbeiter*innentöchter, “Working Class Dance Group” establishes an ongoing relationship between biography and society.
Continue reading ““sinnestaumel”, an Expanded Dialogue Through the Echoing of the Senses”
Laborgras presents “sinnestaumel” at the St. Elisabeth Church from 11 to 14 November 2021, as part of the “Early Music & Contemporary Dance” cycle, which began in 2020 within the Tetra Bach – Four Positions on Bach series initiated by Folkert Uhde Konzertdesign. “sinnestaumel” is an elegant piece that speaks to the senses through a beautiful movement score in empathy with the music. Three dancers — Abraham Iglesias Rodriguez, Tian Gao, and Renate Graziadei together with Midori Seiler on the violin and Christian Rieger on the harpsichord — maintain a continuous one-hour dialogue with Bach’s Six Sonatas for Violin and Harpsichord, BMV 1014-1019.
Continue reading “States of Joy at ICC”
As part of 10 days of exhibitions under the title The Sun Machine Is Coming Down at the International Congress Centre (ICC) curated by Berliner Festpiele, choreographer Tino Sehgal presents “This Joy”, an impressive voice-movement piece, where the lightness of the score is brilliantly executed by eight performers.
Continue reading “A Dance, a Prayer”
“New Rear” by Mor Demer premiered on 30th September at DOCK 11 after many cancellations during 2021 due to the pandemic. Demer, an artist in residence at DOCK ART, creates a sensuous movement and aesthetic landscape that offers space to contemplate.
Continue reading “A Human Comedy”
In “A Divine Comedy” by Florentina Holzinger, which premiered at the Ruhrtrienniale in August and which opens the Volksbühne dance season, Totentanz, orgasms, techno, an obstacle course, bodypainting, the dissection of a rat, a body set on fire, humour, a flying piano, and much more cohabit in a powerful theatrical piece.
Continue reading “Fall into Dance – Play, Desire, and Walking in a Circle”
As part of Tanzfabrik’s four-month fall programme for 2021, “Wilson” by Sophie Guisset and “Invitation to Walk #1 – Kreisläufe” by Katja Münker offer the audience two distinct possibilities to experience movement and choreographic composition. The first sees the audience as a voyeur, and the second sees the audience as the maker of the movement path itself.
Continue reading “As if Death Could Shine Like Stardust”
How can death be imagined? The performance “TodAncestor — dust till down” is a solo dance performance by choreographer Yuko Kaseki and collaborators based on the combination of media, including video projections and live sound recording, with Butoh dance. Containing elements of ritual, it explores diverse aspects of death, such as fear and poetry. This live performance installation is showing at DOCK11 until Sunday 29 August 2021.
Continue reading “Tanz im August 2021 Talkabout #1”
Tanzschreiber writers Eli Frasson and Evgeny Borisenko decided to go to three Tanz im August 2021 performances together, and then to meet up after each show to talk about what they saw. In this first part of their conversation, Evgeny and Eli discuss “WEG” by Ayelen Parolin / RUDA, the show that opened the festival at HAU1 on 6 August 2021. In the second part of their Tanz im August talkabout, they will discuss Thiago Granato’s world premiere of “The Sound They Make When No One Listens” and Milla Koistinen’s “Breathe”.
Continue reading “Hearing Your Skin: soundance festival is Back in Town!”
From 11 to 27 June soundance festival Berlin is submerging our senses with an interlacing of digitally presented dance and music works, physically experienced video installations, fully breathed open air performances, as well as a programme of talks and lectures. Led by artistic director Jenny Haack at DOCK 11, the Zionskirche Church, and the garden of EDEN Studios, the 2021 festival edition presents 66 artists in 16 pieces and six dance film videos. The latter can be enjoyed both as a walk-in screening at DOCK 11 and as online streams. With this attractive combination of formats, dance and music works are (slowly) coming back as a physical part of the city’s texture to celebrate the beginning of the Berlin summer!
Continue reading “How to Bee a Dance: On Love and Waggling”
“Bee Dances” by Indonesian choreographer ninus and Berlin-based choreographer Kareth Schaffer, online from 10 to 23 June 2021 for Open Spaces – Making It Happen #2 by Tanzfabrik, offers choreographic thoughts on what it means to create a dance piece together from within a cross-cultural perspective. An ensemble of six international dancers (including both choreographers) performs an hour-long piece in which they become a hive with elegance, softness, and a sense of love for dance as an extensive communication system.
Continue reading “To All Tomorrow’s (Open Air) Parties”
“The Dying Swans Project”, conceptualised by Eric Gauthier and produced by Gauthier Dance / Dance Company Theaterhaus Stuttgart, is a screendance project involving international choreographers made during the second pandemic winter. In her video “all tomorrow’s parties”, Berlin-based choreographer Constanza Macras provides a fascinating perspective on a post-party mood as an awakening from the post-Covid-19 period. From another view, Meg Stuart and Damaged Goods interface through a poetic and touching screendance work for Haus der Kulturen der Welt.
Continue reading “Set Me Free on the Hardcore Internet”
“Hardcore Internet” documents the four-week research process by dance artist Julia Plawgo at ada Studio. Filmed and directed by Plawgo herself in the form of an open rehearsal, it was streamed online from 30 April till 2 May on ada Studio website. Dealing with themes such as digital space, video games, offline and online life, this work in progress made for the screen creates an alternative space where screened choreography and dance expand on different layers for “living bodilessly in a digital space”.
Continue reading “Back to the Forming Futures. A Report from Lake Studios: Conversations Through Dance and Ecology”
During the first weekend of May, Lake Studios Berlin hosted the first volume of ABOUT DANCE. Entitled forming futures, this forum for dance professionals was proposed by Mårten Spångberg and Alex Viteri Arturo, with online contributions by André Lepecki, Jota Mombaça, Nina Power, Filipa Ramos, Julian Reid, Jana Unmüßig, and Miriam Jacob.