Continue reading “When the Machine Learns to Dance: From Data to Movement”
In “K L O F. cyberographies of folk,” choreographer Irina Demina uses artificial intelligence to develop a new kind of folk dance: an attempt to reflect contemporary digitalized everyday life. The remount runs at DOCK 11 until 7 May 2023.
Tag: DOCK 11 (EN)
Resist. Resist. Resist.
Continue reading “Resist. Resist. Resist.”
The trio “Weaver” choreographed by Anne-Mareike Hess, attempts different weaves of connections of formations for female togetherness. The performance is shown at DOCK 11 from 27 to 30 April 2023.
Flooding in Darkness
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In “HIGH TIDE,” choreographer and performer Pauline Payen addresses the haunting power of grief. The 60-minute dance performance can be seen until 2 April 2023 in DOCK 11.
The Colourful World of Lightness
Continue reading “The Colourful World of Lightness”
“LUFT” is a dance performance for the audience from age three and up, created in collaboration between Nir de Volff and Theater o.N. It premiered at DOCK 11 on 2 March 2023. The theatre bustles with the energy of excited children on the Sunday afternoon of 5 March, when Inky attends the last show.
Putting in the Time
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Makisig Akin’s “Asian/LOVE”, premiering at DOCK 11 on 3 and 4 February 2023, is a gift—if one you may have to work for.
Some Uncertainty in the Relationship
Continue reading “Some Uncertainty in the Relationship”
A certain ‘sliding doors’ approach to interpersonal relationships and the realities they create marks Sita Ostheimer Company’s premiere “The Inevitable and You”, playing at DOCK 11 from 8 to 11 December 2022.
Just Another Voice in Berlin: Humble Grass vs. Noisy Landscapes
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The lush green grass of Berlin’s Körnerpark gives their two bits on the performance “Embodying Landscapes” that took place at the park as part of the Performing Arts Festival Berlin on 25 May 2022.
Scrolling unto Freedom
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Team Volume & guests present a re-mix of dreams about freedom and love in “Degrees of Freedom”, which premiered at DOCK 11 from 7 to 10 April 2022.
ELEGY TO A HEAP OF CLOTHES HE WAS
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As well as being a physical exploration and an excavation of the self, “Euphoria” presents Hoyoung Im’s sharp work as a video artist and embodied composer of sound. The performance premiered at DOCK 11 from 17 to 20 February, 2022.
Digitizing the Fleetingness of the Moment
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On 26 November 2021, Irina Demina streamed her performance “Perpetual Myth” from the basement of DOCK 11 as a real-time event in digital space during which she nimble-footedly took us into the complex and fascinating world of motion capture.
Cosmic Solidarity and Radical Softness
Continue reading “Cosmic Solidarity and Radical Softness”
T.E.N.T. – A Cosmic Drift Mega Mini Festival took place at DOCK 11 from 11 to 14 November 2021. Of the ‘four evenings of evolving stories that share space and collide on a cosmic drift’, I attended two. I was rewarded with two beautiful and dazzling shows and a performance lottery in which I won a cosy and thought-provoking nap in a lace-made tent. T.E.N.T. Festival did not send me to a supernova or take me on an intergalactic trip (the bold promises made in the festival description), but instead made me reflect on the politics of care and softness, and on the necessity of supporting each other in our precarious and uncertain times.
A Dance, a Prayer
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“New Rear” by Mor Demer premiered on 30th September at DOCK 11 after many cancellations during 2021 due to the pandemic. Demer, an artist in residence at DOCK ART, creates a sensuous movement and aesthetic landscape that offers space to contemplate.
As if Death Could Shine Like Stardust
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How can death be imagined? The performance “TodAncestor — dust till down” is a solo dance performance by choreographer Yuko Kaseki and collaborators based on the combination of media, including video projections and live sound recording, with Butoh dance. Containing elements of ritual, it explores diverse aspects of death, such as fear and poetry. This live performance installation is showing at DOCK11 until Sunday 29 August 2021.
Dramaturgies of Entanglement
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Perth-born and Berlin-based choreographer Emily Ranford premiered her most recent work “Forcefields iii” at DOCK11, 19 to 22 August 2021. This skilfully choreographed piece concludes the “Forcefields” trilogy, that explores, as Ranford describes in her programme notes, ‘a network of interdependencies endlessly morphing and curling on itself into previously unseen shapes.’ I searched for the missing link between the signifier and the signified in this piece, which, although beautifully performed, lacked dramaturgical deftness and emotional power towards the end.
Hearing Your Skin: soundance festival is Back in Town!
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From 11 to 27 June soundance festival Berlin is submerging our senses with an interlacing of digitally presented dance and music works, physically experienced video installations, fully breathed open air performances, as well as a programme of talks and lectures. Led by artistic director Jenny Haack at DOCK 11, the Zionskirche Church, and the garden of EDEN Studios, the 2021 festival edition presents 66 artists in 16 pieces and six dance film videos. The latter can be enjoyed both as a walk-in screening at DOCK 11 and as online streams. With this attractive combination of formats, dance and music works are (slowly) coming back as a physical part of the city’s texture to celebrate the beginning of the Berlin summer!
Filming Utopian Body
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“Vogel | 4 Solos” is a sequence of four solos, directed and choreographed by Christine Bonansea, and filmed at DOCK 11. Led by a powerful blend of stark lighting design and raucous soundscapes, this work aims to embody Michel Foucault’s notion of the utopian body — a daunting task for a string of four separate filmed solos that had been initially devised as simultaneous performances amongst which spectators could carve their own paths. Bonansea faces this challenge with a blast of power and creates a thought-provoking study on the limits of emotional perception.
The Expansion of Joy — An Interview with Anna Nowicka
‘Dear Anna, I hope you are well! […] Due to this second lockdown, we cannot review any performances in the theatres anymore. As an alternative, I would like to interview you on the topic of ‘bodily joy’. It comes from my realisation that, due to the distance, the lack of spontaneity, and the absence of live get-togethers, I find it hard to experience joy in my body myself. And it’s a loss. Therefore it would be great to talk to you about how to keep finding joy in the body in these awkward times. […]. Best, Annette’Continue reading “The Expansion of Joy — An Interview with Anna Nowicka”
Continue reading “Looking Back”
In “Retrospectrum – 5 solos for 5 decades”, which premiered at DOCK 11 on 15 October, choreographer Tomi Paasonen takes us on a deeply personal journey through his life, and his body of work thus far.
Berlin isn’t a German city / Berlin ist keine deutsche Stadt
Continue reading “Berlin isn’t a German city / Berlin ist keine deutsche Stadt”
No shows, no training, no touch, no perspectives: Covid-19-measures hit the dance scene heavily. Artists and institutions are longing for solidarity – beyond their own needs.
Another Kind of Kinesthetic Empathy Is Transmitted on Screen
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In the times of corona, when live dance events are (still) not possible, the digital format remains. You can love it or leave it, and not everything is suitable for filming. However, there are dance films, films explicitly choreographed for the camera and the screen: available for viewing until 6 May in POOL 20 – Spring Edition of the Internationales TanzFilmFestival Berlin at DOCK 11 online.
Continue reading “Distance Dance”
The wide offer of online dance classes demonstrates how we can all stay connected to one another despite social distancing while dancing alone. On the complex interplay between closeness and distance in the time of Corona.
Continue reading “Don’t Wait”
Out of the four days of the T.E.N.T. PALACE MINI-MEGA FESTIVAL (DOCK 11, 20 – 23 February, 2020) Inky Lee attends two evenings and relates on the ways T.E.N.T. ‘host dreams, desires, and basic necessities.’
A Tribute to Techno
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“Dad & Son #2 (Ribbon Dance)”, by Frédéric Gies is a dance for two male bodies, performed at DOCK 11 by Samuel Draper and Frédéric Gies, to techno producer Fiedel’s relentless beats.
The Escape Artists
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“Tropical Escape” sees Csaba Molnár and Márcio K. Canabarro explore the politics of utopia, and the power of silliness.