Tanztage Berlin (EN) – tanzschreiber

blue is something of an ecstatic accident produced by void and fire

15. January 2024, Alice Heyward

Languages:
DE
and
EN

This resting, patience by Ewa Dziarnowska, presented from 3-6 pm on 13 and 14 January at Sophiensæle in the frame of Tanztage Berlin 2024, is an emotional passage of bodily tension rising, rupturing, releasing and regenerating through cycles of feeling as dancing.

Something other than your face

8. January 2024, Maria Ladopoulos

Languages:
DE
and
EN

Nasheeka Nedsreal opens the 33rd edition of Tanztage on the 5^th January, 2024 with the dance performance NuReal Dust (5^th – 20^th January, 2024).

tanzschreiber articles about Tanztage Berlin 2023

5. January 2023, TANZTAGE BERLIN 2023

Languages:
DE
and
EN

All reviews can be read here >>> From 5 to 21 January, the 32nd edition of the Tanztage Berlin, organised annually by the Sophiensæle, brings together 10 performances by upcoming Berlin-based artists, accompanied by knowledge-sharing formats. Authors and guest authors from the Tanzbüro Berlin’s online review portal tanzschreiber are reviewing the 10 pieces selected for the Tanztage Berlin 2023 on tanzschreiber.de. Some of the texts are written by the six participants of the tanzschreiber writing workshop “Texte in Bewegung” under the direction of Agnes Kern and Johanna Withelm.

You are conducted to this pressure

24. April 2022, Janine Muckermann

Languages:
DE
and
EN

TANZPLATTFORM 2022 >>> In “Overtongue”, Michelle Moura carries her audience off into the polymorphic world of ventriloquism and dissociates the perceptions of sounds and physicality. The performances from 23 to 27 April at the Sophiensæle will take place as a follow-up to Tanztage Berlin 2022.

Walling the Desert

24. January 2022, Cory Tamler

Language:
EN

In “Death Valley Junction”, playing 21 and 22 January as part of Tanztage Berlin 2022 at the Sophiensæle, Lulu Obermayer staged a ‘solo duet’ with one of her artistic foremothers that got me wondering where — in this love song to a performer and to performance — the audience fits in.

Reveries at the Cusp

19. January 2022, Parvathi Ramanathan

Languages:
DE
and
EN

Showing as part of the online programme of Tanztage Berlin 2022, Layton Lachman and Samuel Hertz’s sonically-charged “DOOM (The Movie)” creates a world of catastrophe and creation. Parvathi Ramanathan steps into this world in a daze of delirious illness and imagination.

I Thought I Could Find The Words

18. January 2022, Liza Weber

Language:
EN

The text that follows is not a review in the traditional sense, but rather what I would call a ‘concrete response’ to Ana Lessing Menjibar’s “Perpetual Archive”, which she performed at the Sophiensæle, 13 & 14 January, as part of the Tanztage Berlin 2022 festival.

The Parallel World in Me …

13. December 2020, Right Now

Languages:
DE
and
EN

Written by Akiles.*

Finding your space in Berlin is not a simple task. However, with the support of the relevant institutions, many obstacles disappear. It was the same for me, only I had other hurdles to overcome first: political issues, bureaucracy, and a disease.

Reading Tracks – An Interview with Peter Pleyer

2. December 2020, Jette Büchsenschütz

Languages:
DE
and
EN

Peter Pleyer has been an observant participant of the Berlin dance scene for 20 years, not only as a dancer and choreographer, but also as a dramaturg, lecturer, and Director of Tanztage at the Sophiensæle (2007-2014). He talks about his own past, the present with COVID-19, and the near future of more sensible and effective networking within the equally diverse and precarious contemporary dance scene in Berlin.

Satirical dances

21. January 2020, Beatrix Joyce

Language:
EN

In their latest show “Endangered Species”, performed at Sophiensæle as part of Tanztage Berlin 2020, drag house for QTBIPoC House Of Living Colors explore how not only text, but also dance can be instrumentalised as political satire.

Long Black Hair

17. January 2020, Inky Lee

Language:
EN

Inky Lee embarks on a hairy journey, inspired by Areli Moran’s “La Postal de nuestra Existencia,” in which Moran becomes the goddess of ‘Hair, hair, long beautiful hair!’

“La Postal de nuestra Existencia” premiered at the Sophiensæle on 16 January 2020 within the frame of Tanztage Berlin.*

Expelling Oppression with a Loving Thrust.

14. January 2020, Nicola van Straaten

Languages:
DE
and
EN

“JUCK” — something between a celebratory techno-ritual, trauma release therapy, and a total exorcism of patriarchy — is more than a powerful, and finely tuned performance. The work, which featured at Tanztage Berlin 2020, is a survival strategy to ensure community and joy in the face of oppressive systems.

Berlin-Cool

11. January 2020, Inky Lee

Languages:
DE
and
EN

“Sarabande” by Sasha Amaya, and “Tricks for Gold (T4$)” by Frida Giulia Franceschini premiered at the Sophiensæle on 8 January in the frame of Tanztage Berlin 2020.

An Elegant and Generous Denial.

10. January 2020, Nicola van Straaten

Language:
EN

“Neptune”, a 45-minute solo by Lois Alexander in collaboration with Nina Kay, premiered on 8 January 2020 at Sophiensæle in the framework of Tanztage Berlin.

Big Wigs & Space Suits

17. January 2019, Beatrix Joyce

Language:
EN

Every January, the Berlin dance audience flocks to the Sophiensaele for Tanztage, the annual inauguration event. The ten-day festival, which has existed for over twenty five years now, kicks off the new dance year by focussing on emerging choreographers making work in Berlin.

Let’s Get Personal

14. January 2019, David Pallant

Language:
EN

Anjal Chande / The Soham Dance Project present “This is how I feel today”, a Bharatanatyam-rooted work charting the individual experience within its societal context.

Almost seduced by a peacock

14. January 2019, Beatrix Joyce

Language:
EN

The peacock knows how to impress. It struts along, unabashed, displaying its long, languorous feathers that sprout from its fluffy behind. Its spectators have no choice but to marvel at its divine beauty. Nature has endowed this bird with the power of seduction, strong enough to dazzle not only future mating partners but also us humans.

Game Theory

9. January 2019, David Pallant

Language:
EN

Opening Tanztage Berlin 2019, Mirjam Gurtner’s “Skinned” places improvisation within a strictly delineated frame to create a contradictory, challenging work which belies any cohesive interpretation. Combining intuition and artifice, “Skinned” sets itself a difficult task, yet a generosity at its core entices us along for the journey.