Continue reading “Coming Full Circle”
In “M.O.S.T”, an acronym for “My Ongoing Silent Transcendence”, which ran from the 15 to 30 April 2022 at the Pfefferberg Theater Berlin, dance company Chaim Gebber-Open Scene plots a timeline of events that chart, in the company’s own words, “universal and personal transformations.” As the choreography suggests, such transformations are not always linear, but rather cyclical in nature, where the dancers find themselves ending up much where they left off — with the ongoing silent transformation of the self.
Continue reading “Performing Decolonisation Is One Thing, Decolonisation Another”
In an interview with Jana Lüthje, curator of the participatory dance project Moving the Forum at the Humboldt Forum, the question of if, and how, the institution was implementing change proved inevitable and, ultimately, inconclusive. The third of its four chapters called “Inhabiting” ran from 14 Feb to 26 March 2022, with the final chapter, “Interacting”, set to span 2 May to 11 June 2022.
They say there should be five acts to any tragedy: 1) Exposition, 2) Rising Action, 3) The Climax, 4) Falling Action, and 5) Resolution. But then, this in no Ibsen or Shakespeare. This is Sasha Waltz & Guests, and this is a symphony of four movements. Which is to say, there is no resolution to be found in “SYM-PHONIE MMXX”, which had its world premiere on 13 March 2022 and next shows on 18 and 19 March at the Staatsoper Unter den Linden Berlin.Continue reading “There Is No Return After War”
Continue reading “I Can’t Hear You, But I’m Listening”
Would I write one of my _____ for the premiere of “Talk To Me”, I was asked? It seems to be the perfect form for a review on a piece that opens-up the question of _____________ and ___ __ _____________. Choreographed by Vanessa Huber in cooperation with tanzApartment cie., the dance ran from 10 to 13 March 2022 at Halle Tanzbühne Berlin.
In “clair obscur”, a piece in the repertoire of cie. toula limnaios since Spring 2021 and performed at HALLE Tanzbühne Berlin, choreographer Toula Limnaios dreams up a disquieting and deftly executed dance of Doppelgängers.Continue reading “Stop Following Me! I Need You”
Continue reading “What Feels Like Our Last Breath”
In “erSCHÖPFUNG”, which premiered at Theaterdiscounter TD Berlin 27-30 January 2022, Janne Gregor asked a host of professionals—from a boxer and beatboxer to a Krump artist and contemporary dancer—to push themselves to and, ultimately, beyond the limits of exhaustion, only to find…that they just kept on going.
Continue reading “I Thought I Could Find The Words”
The text that follows is not a review in the traditional sense, but rather what I would call a ‘concrete response’ to Ana Lessing Menjibar’s “Perpetual Archive”, which she performed at the Sophiensæle, 13 & 14 January, as part of the Tanztage Berlin 2022 festival.