Continue reading “To All Tomorrow’s (Open Air) Parties”
“The Dying Swans Project”, conceptualised by Eric Gauthier and produced by Gauthier Dance / Dance Company Theaterhaus Stuttgart, is a screendance project involving international choreographers made during the second pandemic winter. In her video “all tomorrow’s parties”, Berlin-based choreographer Constanza Macras provides a fascinating perspective on a post-party mood as an awakening from the post-Covid-19 period. From another view, Meg Stuart and Damaged Goods interface through a poetic and touching screendance work for Haus der Kulturen der Welt.
Continue reading “Back to the Classics”
Event cancellations due to Covid-19 measures didn’t just affect the dance scene. How did major theaters respond during the pandemic? A brief glimpse at the Staatsballett Berlin to mark Polina Semionova’s appearance in the concert performance of Camille Saint-Saëns’ “The Carnival of the Animals” at the Staatsoper Unter den Linden.