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The Dan­ce Review Portal – Current Critiques of Berlin Dance Events

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Christine Matschke

is intrigued by the connections between dance, visual arts and society as well as dance formats for a young audience. As a freelance dance journalist (M.A. Tanzwissenschaft) she writes for Die Deutsche Bühne, tanz, tanzraumberlin magazine as well as Theater der Zeit / IXYPSILONZETT. She is editor for the festival Tanznacht Berlin 2018 and author for the blog Viereinhalb Sätze.
Water finds its way!

Water finds its way!

14. December 2018, Christine Matschke
  • Languages:
  • DE
  • and
  • EN

With “Water Will (in Melody)”, Ligia Lewis presents a different kind of pre-Christmas fairytale in HAU2. Her grim, grotesque movement theater takes the audience on a ride to a dystopian future world where women reside as freaky artifacts of a bygone era. We don’t really want that.

Continue reading “Water finds its way!”
Boxed in by [Fear]

Boxed in by [Fear]

3. December 2018, Christine Matschke
  • Languages:
  • DE
  • and
  • EN

With “The Emergency Artist”, Clément Layes provides space for the openness of meaning in language and action. In times of increasing political isolation, it can be interpreted as a kind of artistic protest.

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Collective Future Perspectives?

Collective Future Perspectives?

4. September 2018, Christine Matschke
  • Languages:
  • DE
  • and
  • EN

During this year’s anniversary edition of Tanz im August there was also space for young choreographers and emerging dance talents. With “Paradise Now (1968-2018)” young Belgian choreographer Michiel Vandevelde does an exemplary job of entrenching the vision of a new, politically ambitious dancer theater for a present day young audience.

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