Continue reading “The ‘I’ of Cyclops”
“Cyclops”, conceptualized and directed by Zé de Paiva, shows us incomplete abundant fleeting images through his viewfinder. We see images of ourselves and those of de Paiva and co-performer Nasheeka Nedsreal in their avatars as cyborg-ed Cyclops. Images direct and challenge the narrative in this performance that was shown at Ballhaus Naunynstraße.
Continue reading “New Growth”
Ballhaus Naunynstraße is one of the few (the only?) theatres in Germany that is committed to showing and supporting the perspectives of BIPOC and of those who identify as queer. It offers a strong impulse to development of postcolonial discourse and practices. Here, performance artist Nasheeka Nedsreal presents her first solo performance “New Growth”.
Continue reading “Photo/synthesis”
Zé de Paiva’s “CYCLOPS” casts the camera as the eponymous beast, but is this one-eyed machine a monster or a god?