Continue reading “Performing Memory”
How can an archive be performed? How can a research process be shown on stage without the result being dull and didactic? How can a dance be devised about a show that premiered more than 40 years ago? In “Try Leather”, Britta Wirthmüller, William Locke Wheeler, and Justine A. Chambers explore the political and performative aspects of an eponymous 1975 solo by Canadian artist and activist Margaret Dragu. Choosing a dozen different archive records and key words each night, Wirthmüller and Wheeler offer their personal take on Dragu’s work and life in a show that combines dance, spoken word, and audio fragments.