David Soares as Nureyev, eyes closed, embraced from behind by Martin ten Kortenaar as Erik Bruhn; white curtains softly billow behind.

Liberated Lonesome Bird

Nureyev by Yuri Possokhov
Languages: German and English

Nureyev, choreographed by Yuri Possokhov, staged by Kirill Serebrennikov and composed by Ilya Demutsky, celebrated its German premiere on 21 March 2026 at the Deutsche Oper performed by Staatsballett Berlin.

by Inky Lee, 23. March 2026
Four dancers hold a person by their limbs in preparation for a lift.

Resistance Everywhere

Resist Resignation by Kollektiv collapsetofraction
Languages: German and English

As part of the evening’s Resist Resignation by the collective collapsetofraction, the pieces Revolt and Ohnmacht (Powerlessness), which address the repeated efforts in the fight against social injustice,  were performed on 21 and 22 March 2026 at Theatre Pool Berlin.

by Mimo Tashla, 23. March 2026

Optics, Tactics and Haptics in the Capitalocene

Homopticum by Juan Pablo Cámara with Andrey Bogush
Languages: German and English

Alice Heyward and Juan Pablo Cámara in conversation on Homopticum by Juan Pablo Cámara with Andrey Bogush, at Sophiensæle (6 and 7 March 2026)

by Alice Heyward, 20. March 2026

tanzschreiber goes TANZPLATTFORM DEUTSCHLAND 2026

Tanzplattform Deutschland 2026 by Diverse
Languages: German and English

From 11–15 March 2026, HELLERAU – European Centre for the Arts, as host of the 17th edition of Tanzplattform Deutschland 2026, presents 13 of the most remarkable German dance productions of the past two years and, through an accompanying programme, offers opportunities for networking, discussion, and exchange.

by Admin, 15. March 2026
Drei Tänzerinnen sind mit ihren Händen und Füßen wie eine Skulptur miteinander verbunden. Zwei haben dabei die Augen geschlossen. Im Hintergrund Publikum.

Snapshots

for the time being by Sasha Waltz
Languages: German and English

For their latest piece, for the time being (premiere on 10 March 2026 at Radialsystem), Sasha Waltz and Guests worked with the improvisation principles of Authentic Movement and Deep Listening.

by Johanna Ackva, 13. March 2026
Two dancers stand in plié behind each other. In the background, part of an abstract organ can be seen on the screen.

Exploring New Worlds

Notturno by Veronika Riz
Languages: German and English

Notturno – ital. “nocturnal” – plunges into the memories and narratives of coma patients. The piece, by choreographer Veronika Riz, is being performed on 20 and 21 February at Uferstudios.

by Mimo Tashla, 23. February 2026
Roxana Küwen Arsalan liegt auf der Seite auf dem Boden und balanciert einen kleinen Serviertisch auf einer Fußsohle, während sie Tee in eine Tasse gießt.

Identity Puzzles

OMÂ by Roxana Küwen Arsalan
Languages: German and English

OMÂ, an “auto-fiction” created and performed by Roxana Küwen Arsalan, was remounted at Chamäleon Berlin from 17–19 February 2026. The final performance also featured Paulina Güllü as a Deaf performer, who translated all spoken language to German Sign Language.

by Inky Lee, 23. February 2026
A rounded back, an outstretched arm, people moving. They are wearing subdued colors, their eyes are closed. The audience is in the background..

Listening Exercises

Listening To Your Listening by Pol Pi und Studierende
Languages: German and English

On 11 February 2026, Musicology and Dance Studies students shared the results of their research with artist Pol Pi on the idea of listening as a conscious act of connection at the Akademie der Künste (Academy of Arts).

by Johanna Ackva, 13. February 2026
Four performers on a green billiards stage: one seated with a white wig and music box, others poised with sticks and flute.

 A Table, a Trial, a Joke

Gut gemacht! by Antonia Baehr, Jule Flierl, Hermann Heisig, Claire Vivianne Sobottke
Languages: German and English

Gut gemacht!, by and with Antonia Baehr, Jule Flierl, Hermann Heisig, and Claire Vivianne Sobottke, is a comedy of judgment staged as a trial. This complex joke on the making and evaluation of art in the past and present was shown at HAU2 on 5 and 6 February 2026.

by Alice Heyward, 13. February 2026
Fitzgerald kniet auf einem Erdhügel. Sie blickt nach unten und hält einen runden Metallgegenstand in der Hand. Vier afrikanische Yamswurzeln liegen seitlich auf dem kleinen Hang.

On a Land of Harm

I want revenge, grandma by Colleen Ndemeh Fitzgerald
Languages: German and English

I want revenge, grandma, created and performed by Colleen Ndemeh Fitzgerald, was restaged on 17 and 18 January 2026 at Sophiensæle as part of the 35th Tanztage Berlin. The piece addresses European colonial violence in Africa.

by Inky Lee, 21. January 2026
Two dancers, both leaning to their right, heads tilted, touch their foreheads with their right hands. Their left arms are angled across their bodies.

Fruit Salad à la Salome

the intimacy of collision by Dominique Tegho
Languages: German and English

the intimacy of collision by Lebanese choreographer Dominique Tegho celebrated its premiere during the 30th anniversary of Tanztage Berlin (8 to 24 January 2026) at the Sophiensæle. A review of the second performance on 18 January 2026.

by Johanna Ackva, 21. January 2026
Six dancers are facing each other in a circle and are either beginning or ending an energetic movement.

Who’s to Blame?

Witch Hunting by Anne Nguyen
Languages: German and English

Witch Hunting by Anne Nguyen/Compagnie par Terre, which looks at the idea of being made “different”, is a successful start to this year’s PURPLE International Dance Festival. The piece can be seen at HAU 1 from 17 to 19 January. 

by Mimo Tashla, 21. January 2026