Moving Puzzle13. January 2021, Right NowThe Expansion of Joy — An Interview with Anna Nowicka18. December 2020, Annette van ZwollWhat about a Time Warp Dance?17. December 2020, Katja Vaghi“Why criticism?” – a digital debate in three episodes15. December 2020, Astrid KaminskiThe Parallel World in Me …13. December 2020, Right NowBe More Chinese9. December 2020, Right NowLife sentences: on reviewing and renewing3. December 2020, Sanjoy RoyReading Tracks – An Interview with Peter Pleyer2. December 2020, Jette BüchsenschützCommanding the Relentless Gaze1. December 2020, Right NowThoughts on Lockdown No. 230. November 2020, David PallantTogether Together24. November 2020, Annette van ZwollSomething Remains Astir in the Silence: On the Importance of Dance Residency Programs23. November 2020, Katja VaghiVeiled Motions19. November 2020, Right NowOceanic Rushing15. November 2020, Jette BüchsenschützSquirming Like Disco Stars13. November 2020, Right NowYou Are Not Invited10. November 2020, Right NowSajan Mani – Tyger von otherspur6. November 2020, Right NowForming Bodies / Embodying Forms2. November 2020, David PallantDo Not Write27. October 2020, Right NowEmotional Participation24. October 2020, Katja VaghiNew Growth21. October 2020, Annette van ZwollWe Have to Learn to Repair the Denial: Inverted Landscapes, Action in the Streets and Stolen Lives.20. October 2020, Right NowThe Politics of Rest19. October 2020, Annette van ZwollLooking Back18. October 2020, David PallantShared Vulnerability10. October 2020, Jette BüchsenschützTwinkle, a Hormonal Dance6. October 2020, Right NowFemale Futures26. September 2020, David PallantMy Survival Tactic: Fantasising19. September 2020, Right NowApes and Humans11. September 2020, Annette van ZwollFar, and yet so close: The Exhibit “Down to (planet) Earth” at Gropius Bau7. September 2020, Katja VaghiWalking as an Act6. September 2020, Annette van ZwollWaves Swarm24. August 2020, Jette BüchsenschützIn-Between Past and Future at Potsdamer Tanztage14. August 2020, Annette van ZwollEveryone drops, but no one falls.8. August 2020, Jette BüchsenschützAn Oscillator Exchange3. August 2020, Annette van ZwollMinimal Movements: Isabelle Schad’s “FUR”2. August 2020, Katja VaghiThe Human in Trans-Humanity27. July 2020, Annette van ZwollA PROPOSAL FOR CHANGE21. July 2020, Annette van ZwollA Utopia Beyond the Norm and Anti-Norm18. June 2020, Jette BüchsenschützBack to the Classics17. June 2020, Katja VaghiOn Bodies Communing: An Interview with Isabelle Schad16. June 2020, Jette BüchsenschützNah Dran – interconnecting the studio and the screen9. June 2020, Annette van ZwollBerlin isn’t a German city / Berlin ist keine deutsche Stadt7. June 2020, Astrid KaminskiYou OK, Bitch?31. May 2020, Annette van ZwollCity Expansion — (Out)Stretching the Senses to Our Urban Surroundings11. May 2020, Katja VaghiAgainst Translation?7. May 2020, Jette BüchsenschützMy Only Memory; A Choreography to Listen To4. May 2020, Annette van ZwollHOW ARE YOU?28. April 2020, Annette van ZwollAnother Kind of Kinesthetic Empathy Is Transmitted on Screen24. April 2020, Katja VaghiDistance Dance8. April 2020, Jette BüchsenschützOn Hospitality, Collaborations and Dining Culture: Questions for Sally De Kunst about the Book “This Book is Yours”6. April 2020, Katja VaghiA Different Kind of Ballet8. March 2020, Annette van ZwollAquaphile Transgression3. March 2020, Jette BüchsenschützEntanglement, Collective Action, and Art as a Vehicle for Hope.1. March 2020, Nicola van StraatenSomething Resembling Magic25. February 2020, Nicola van StraatenDon’t Wait24. February 2020, Inky LeeHello Death7. February 2020, Inky Lee
